
CARLTON
NELL
June
12 - July 28, 2004 |

Carlton Nell,
Composition #102, oil on wood panel, 9 x 33 inches, 2002 |
Carlton
Nell's first New York solo show of intimate-scale landscape paintings.
All works are now in the gallery and available for viewing.
June 12 through July 28, 2004 |

Carlton Nell,
Composition #137, oil on wood panel,
6 x 10 inches, 2004 |

Carlton Nell,
Composition #113, oil on wood panel,
6 x 10 inches, 2002 |
Carlton Nell's
small oil paintings, measuring 8 x 10 inches on birch panels, capture the
essence of a moment, a place, a sensation in nature. Less specific places
than visual haikus, the works conjure a universal understanding and perception
of space, sky, land, clouds, grass, trees. Most of the artist's rich paintings,
sometimes built in thick impasto, reference something the artist has seen
in nature and remembers, a cloud formation, a nighttime sky. |

Carlton Nell,
Composition #114, oil on wood panel,
6 x 10 inches, 2003 |

Carlton Nell,
Composition #119, oil on wood panel,
6 x 10 inches, 2002 |
| When
Nell sees a natural phenomenon he would like to transform in paint, he often
takes notes on colors, shapes, light, atmosphere, desiring to re-create
nature's palette in his unique distilled format. He is as captivated by
the light and shadow of day as he is by the mysteries of the night, by the
way light flickers on waves in the ocean, sparkles through dense summer
leaves, and is minimally present when the sun leaves the sky. |
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Carlton Nell,
Composition #135, oil on wood panel,
6 x 10 inches, 2003 |

Carlton Nell,
Composition #126, oil on wood panel,
6 x 10 inches, 2003 |

Carlton Nell,
Composition #128, oil on wood panel, 6 x 10 inches, 2003 |
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| Unlike
his earlier panel paintings of the same scale of more literal "scenes"
in the landscape, trees, flowers, a vista that suggested a place, the new
paintings are more abstract as they focus in on more intimate details. Color
has changed in the new works, whites are more filled with light, deep dark
blue skies emit the air of night. Skies have deep grays and umbers in the
clouds; umber shadows fill most of a composition in a way that might suggest
an ominous moment, and yet the artist allays our anxiety of a storm with
the warmth of his hues. |

Carlton Nell,
Composition #132, oil on wood panel,
6 x 10 inches, 2003
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Carlton Nell,
Composition #131, oil on wood panel,
6 x 10 inches, 2003 |
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Carlton Nell,
Composition #134, oil on wood panel,
6 x 10 inches, 2004 |

Carlton Nell,
Composition #138, oil on wood panel,
6 x 10 inches, 2004 |
| Carlton
Nell's paintings, all of the same scale, are not titled, but numbered. Each
is called "Composition #," and each is consecutively numbered,
one after the other, like a tone poem. The artist's intellectual approach
to his identification of the works removes any personal association and
focuses on the meditative quality of the paintings. His genuine fascination
of the natural world, and close observation thereof, allows him to delve
deeper into the nuances of nature. Sometimes an ethereal white cloud becomes
the entire painting with the slightest glimmer of blue at the edge; at others
he fills the panel with a night sky, so dense and dark the viewer's eye
has to adjust to the lack of light to see the tiny sparkling stars and the
ghost-like shadows of black trees. It is clear from the artist's "compositions"
that structure is as important to him as is the desire to paint what is
"essential" in nature. Rarely does he depict an entire "scene,"
for Nell the smaller passage or detail suggests a larger universe. |
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Carlton Nell,
Composition #141, oil on wood panel,
6 x 10 inches, 2004 |

Carlton Nell,
Composition #133, oil on wood panel,
6 x 10 inches, 2004 |
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Carlton Nell,
Composition #139, oil on wood panel,
6 x 10 inches, 2004 |

Carlton Nell,
Composition #98, oil on wood panel,
6 x 10 inches, 2002 |
| Nell
says of his works: "They are interpretations of scenes, rather than
replications." Nell draws the viewer into his panels in ways that large
paintings do not offer. His works are rich invitations to the viewer to
contemplate nature in a quiet and reverent way. |

Carlton Nell,
Composition #146, oil on wood panel,
6 x 10 inches, 2004 |
| Carlton
Nell was born in Mobile, Alabama in 1962. He received a B.F.A. from Auburn
University in Alabama and an M.F.A. from Georgia State University, Atlanta.
He is the recipient of an Individual Artist Fellowship from the Alabama
State Council on the Arts. |

Carlton Nell,
Composition #145, oil on wood panel,
6 x 10 inches, 2004 |

Carlton Nell,
Composition #142, oil on wood panel,
6 x 10 inches, 2004 |
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| Carlton
Nell's work has been shown at The Butler Institute of American Art, Youngstown,
Ohio; Chattahoochee Valley Art Museum, LaGrange, Georgia; Columbus Museum
of Art, Georgia; Huntsville Museum of Art, Alabama; Masur Museum of Art,
Monroe, Louisiana; Meridian Museum of Art, Mississippi; Mobile Museum of
Art, Alabama; The Montgomery Museum of Fine Arts, Alabama; St. Petersburg
Center for the Arts, Florida; Wiregrass Museum of Art, Dothan, Alabama.
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Carlton
Nell's work is included in the collections of Chattahoochee Valley Art Museum,
La Grange, Georgia; Evansville Museum of Arts, History and Science, Evansville,
Indiana; Hunter Museum of American Art, Chattanooga, Tennessee and Huntsville
Museum of Art, Huntsville, Alabama. |
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