Parts of a World #18

While singular paintings, the artist envisions the silos as a series in a dialogue of contrasts and similarities, of nuance, theme and variation.

Gregory contemplated Monet’s signature variations in light on a cathedral or haystack in creating these new works, his turn-of-the-century paintings.

		SILOS AS ICONS While singular paintings, the artist envisions the silos as a series in a dialogue of contrasts and similarities, of nuance, theme and variation. Gregory contemplated Monet’s signature variations in light on a cathedral or haystack in creating these new works, his turn-of-the-century paintings.
		Michael Gregory, Parts of a World #18 oil on board, 48 x 28 inches, 1999-2000
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