![]() REMY HYSBERGUE |
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| Paris,
France, July 2003, Remy Hysbergue in his studio. |
![]() Remy Hysbergue in the studio, Paris 2003 |
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![]() Remy Hysbergue, Plates Bondes 3, 2001, acrylic on PVC panel, 63 x 48 inches |
![]() Remy Hysbergue, Plates Bondes 4, 2001, acrylic on PVC panel, 63 x 48 inches |
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| In Distraction, the word in English meaning the same as in French, the artist uses a trowel-like tool to pull the paint across the panel vertically, leaning left or right to increase or reduce the amount of pigment that adheres to the surface. Among the most reduced of palette and structure, this recent series addresses itself to the pure quality of paint on surface, the thickness or thinness of the surface, the transparency, the shimmer of the white ground behind. | ![]() Remy Hysbergue, Distraction 5, 2001, acrylic on PVC panel, 63 x 47 inches |
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![]() Remy Hysbergue, Distraction 15, 2001, acrylic on PVC panel, 63 x 47 inches |
![]() Remy Hysbergue, Distraction 27, 2001, acrylic on PVC panel, 63 x 47 inches |
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![]() Remy Hysbergue, Epoustouflant 5, 2001, acrylic on PVC panel, 63 x 48 inches |
![]() Remy Hysbergue, Epoustouflont 2, 2001, acrylic on PVC panel, 63 x 47 inches |
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![]() Remy Hysbergue, Pneuma 34, 2000, acrylic on PVC panel, 3 x 47 inches |
![]() Remy Hysbergue, Pneuma 9, 2000, acrylic on PVC panel, 58 x 43 inches |
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| More
on Remy Hysbergue Remy Hysbergue's Biography |
![]() Remy Hysbergue, Vide Faits 11, 2002, acrylic on PVC panel, 63 x 47 inches |
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![]() Remy Hysbergue, Vide Faits 12, 2002, acrylic on PVC panel, 63 x 47 inches |
![]() Remy Hysbergue, Vide Faits 21, 2002, acrylic on PVC panel, 80 x 60 inches |
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