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RICHARD
PURDY |
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| Richard Purdy's first solo exhibition at Nancy Hoffman Gallery opens on May 3rd and continues through May 31st, 2000. Eschewing conventional installation methods, Richard Purdy will create an environment of his ideas within the gallery space. |
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| He will make drawings directly on the wall and will cover one entire expanse of wall at the gallery with Xerox copies of his "ideas," jottings on paper of shapes, forms, permutations of spirals conceived on the computer with the aid of a spirograph. On top of the wall papered in Xerox drawings, he will install several of his small jewel-like wax encaustic paintings. For the first time he will also show several large wax encaustic works. |
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| During the '80s Purdy exhibited his magical realist paintings in the East Village. His work garnered some attention. In 1985 he stopped painting for almost ten years. Purdy says of this period in his life: "what was required was a retooling of my thoughts on what visibilities I wanted to bring into being." | |||||||||||||||||
| During
this decade he immersed himself in other pursuits: motorcycle racing, speed
bicycle racing and an in-depth reading program on particle physics, quantum
mechanics and cosmology. In 1990 Purdy realized how he could radically alter his technical approach and created what he calls "prototypes" that "were interesting enough for him to resume painting." |
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Purdy writes
about his concerns as manifest |
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These considerations of things fundamentally non-visible, but made apparent by means of mathematical analysis, have provided me with models for creating imagery not dependent on actual observation. |
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Confident in the soundness of their equations, physicists have been able to free their imaginations to contemplate the previously inconceivable. Rather than discovering the absolute truth about the physical world from measurement and examination, physicists invent methods to communicate within the limitations of their ability to observe, imagine and configure, guided by the concepts of symmetry lying at the core of cognition. |
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What is left is a view of the world that is forever beyond our grasp, a strange meeting place of the objective with the subjective. Although my approach is often playful, it is based on a similar shift in the role intuition plays in confronting an unknown, where one may yield one set of options in order to amplify others. |
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My work combines the use of computer-generated imagery with children's drawing implements like the spirograph. While inevitably coded, these images make themselves accessible to people of diverse backgrounds. Though not strictly "painting," my work seeks to integrate and explore these ideas within painting's typical format. |
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I have rejected traditional application processes in favor of a unique encaustic method. In it, images are incised into a field of smoothly tooled encaustic (in a fashion similar to veneer inlay technique). The resulting voids are then filled with hot encaustic and are shaved down to the surrounding level when cool. This deliberate process yields a range of visibilities not available from other media." |
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All of the above being said, Purdy's jewel-like wax encaustic paintings contain the magic of his early work raised to a different and higher plane, a realm in which the orbiting of the spheres occupies the artist's mind. |
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Richard Purdy was born in Chicago in 1956. He received his B.F.A. from Indiana University of Pennsylvania in Indiana, Pennsylvania. His work has been shown at Art Resources Transfer, New York; The Drawing Center, New York; Flint Institute of Arts, Michigan; Jones Center for Contemporary Art, Austin, Texas; Vedanta Gallery, Chicago and Campo & Campo, Antwerp, Belgium. |
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| Richard
Purdy resides in New York. MORE PURDY Information and Images go to PURDY's Biography For further information and/or photographs, please call Nancy Hoffman at 212-966-6676. |
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